A Fistful of Westerns. Basically a Spaghetti Western is an Italian produced Western. Italian- Spanish co- production - Italian financed with the. Italian - . although these films in fact attracted stars of all nationalities. But the name has stuck. The Japanese refer to the movies. Macaroni Westerns', and sometimes the term 'Paella Western'. Spaghetti Western Movie Meaning In HindiSpanish productions. It is now common to expand the definition of a Spaghetti Western. Westerns produced on the continent. West German movies and westerns from other. European countries that followed the Italian boom. And it is not uncommon for the all. Spaghetti Western Movie Meaning Of LifeSpaghetti Western - Wikipedia. Spaghetti Western, also known as Italian Western or Macaroni Western (primarily in Japan). Django Unchained puts America's horrible. A low-budget Western film made by a European, especially an Italian, film company. 164 Best Spaghetti Westerns. How many of the best Spaghetti Western films have you seen? And what, exactly, is a Spaghetti Western? Western Spaghetti cinema movies were easily distinguishable from traditional western movies because of their high violence. But that violence was first of its own kind. 7 January 2010: Added a list of my Spaghetti Western collection. Italo- Western is also used, especially in Germany. The term Eurowesterns may be used to also include Western movies that were produced in Europe but not called Spaghetti Westerns, like the West German Winnetou films or Ostern Westerns. The majority of the films were international co- productions between Italy and Spain, and sometimes France, Germany, Israel, Yugoslavia, or the United States. These movies were originally released in Italian, but as most of the films featured multilingual casts and sound was post- synched, most . These are consistently listed among the best Westerns of any variety. He betrays and plays the gangs against one another in order to make money. Then he uses his cunning and exceptional weapons skill to assist a family threatened by both gangs. His treachery is exposed and he is severely beaten, but in the end he defeats the remaining gang. The interaction in this story between cunning and irony (the tricks, deceits, unexpected actions and sarcasms of the hero) on the one hand, and pathos (terror and brutality against defenseless people and against the hero after his double play has been revealed) on the other, was aspired to and sometimes attained by the imitations that soon flooded the cinemas. Leone's films and other . This was partly intentional and partly the context of a different cultural background. However, in the following years use of cunning and irony became more prominent. This was seen in Leone's next two Westerns, with their emphasis on unstable partnerships. God's Gun was filmed in Israel. The genre most identifiably American, the Western, seemed to be evolving into a new rougher form. For many critics, Sergio Leone's films were part of the problem. Leone's Dollars Trilogy (1. It was directed by Vincenzo Leone, father of Sergio Leone, and starred his mother Bice Walerian in the title role as Indian princess fatale. An Italian critic has compared these comedies to American Bob Hope vehicles. It was followed in 1. Savage Guns, a British- Spanish western, again filmed in Spain. This marked the beginning of Spain as a suitable film shooting location for any kind of European western. In 1. 96. 3, three non- comedy Italo- Spanish westerns were produced: Gunfight at Red Sands, Magnificent Three and Gunfight at High Noon. In 1. 96. 1 an Italian company co- produced the French Taste of Violence, with a Mexican Revolution theme. Since there is no real consensus about where to draw the exact line between Spaghetti Westerns and other Eurowesterns (or other Westerns in general) one cannot say which one of the films mentioned so far really was the first Spaghetti Western. However, it is obvious that 1. Italian companies and also more than half a dozen Westerns by Spanish or Spanish/American companies. Furthermore, by far the most commercially successful of this lot was Sergio Leone's A Fistful of Dollars whose innovations in cinematic style, music, acting, and story decided the future for the genre. Impact of A Fistful of Dollars. Most succeeding Spaghetti Westerns tried to get a ragged, laconic hero with superhuman weapon skill, preferably one who looked like Clint Eastwood: Franco Nero, John Garko and Terence Hill started out that way; Anthony Steffen and others stayed that way all their Spaghetti Western career. Whoever the hero was, he would join an outlaw gang to further his own secret agenda, like in A Pistol for Ringo, Blood for a Silver Dollar, Vengeance Is a Dish Served Cold, Payment in Blood and others, while Beyond the Law instead has a bandit infiltrate society and become a sheriff. There would be a flamboyant Mexican bandit (Gian Maria Volont. For love interest, rancher's daughters, schoolmarms and barroom maidens were overshadowed by young Latin women desired by dangerous men, where actresses like Nicoletta Machiavelli or Rosalba Neri carried on Marianne Koch's role of Marisol in the Leone film. The terror of the villains against their defenseless victims became just as ruthless as in A Fistful of Dollars, or more, and their brutalization of the hero when his treachery is disclosed became just as merciless, or more . Western devices typical for most of the 1. For example, in Sergio Corbucci's Minnesota Clay (1. A Fistful of Dollars, you find an American style . In A Pistol for Ringo a traditional sheriff commissions a money- oriented hero . In The Great Silence and A Minute to Pray, a Second to Die, the heroes instead fight bounty killers. This was also the time when every other hero or villain in Spaghetti Westerns started carrying a musical watch, after its ingenious use in For a Few Dollars More. Spaghetti Westerns also began featuring a pair of different heroes. In Leone's film Eastwood's character is an unshaven bounty hunter, dressed similarly to his character in A Fistful of Dollars, who enters an unstable partnership with Mortimer, an older bounty killer who uses more sophisticated weaponry and wears a suit (Lee Van Cleef). In the end he turns out to also be an avenger. In the following years there was a deluge of Spaghetti Westerns with a pair of heroes with (most often) conflicting motives. Examples include: a lawman and an outlaw (And the Crows Will Dig Your Grave), an army officer and an outlaw (Bury Them Deep), an avenger and a (covert) army officer (The Hills Run Red), an avenger and a (covert) guilty party (Viva! Django), an avenger and a con- man (The Dirty Outlaws), an outlaw posing as a sheriff and a bounty hunter (Man With the Golden Pistol) and an outlaw posing as his twin and a bounty hunter posing as a sheriff (Few Dollars for Django). The theme of age in For a Few Dollars More, where the younger bounty killer eventually bests his more experienced colleague, is taken up in Day of Anger and Death Rides a Horse. In both cases Lee Van Cleef carries on as the older hero versus Giuliano Gemma and John Phillip Law, respectively. Zapata Westerns. These films are sometimes called Zapata Westerns. Many of these films enjoyed both good takes at the box office and attention from critics. They are often interpreted as a leftist critique of the typical Hollywood handling of Mexican revolutions, and of imperialism in general. In subsequent films like Any Gun Can Play, One Dollar Too Many and Kill Them All and Come Back Alone several main characters repeatedly form alliances and betray each other for monetary gain. Sabata and If You Meet Sartana Pray for Your Death, directed by Gianfranco Parolini, introduce into similar betrayal environments a kind of hero molded on the Mortimer character from For a Few Dollars More, only without any vengeance motive and with more outrageous trick weapons. Fittingly enough Sabata is performed by Lee Van Cleef himself, while John Garko plays the very similar Sartana protagonist. Parolini made some more Sabata movies while Giuliano Carnimeo made a whole series of Sartana films with Garko. Django and the tragic heroes. The titular character is torn between several motives . Indicative of this film's influence on the Spaghetti Western style, Django is the hero's name in a plenitude of subsequent westerns. Giuliano Gemma starred in a series of successful films carrying this theme . Among the more commercially successful films with a hero dedicated to vengeance . However, the considerable box office success of Enzo Barboni's They Call Me Trinity and the pyramidal one of its follow- up Trinity Is Still My Name gave Italian filmmakers a new model to emulate. The main characters were played by Terence Hill and Bud Spencer, who had already cooperated as hero pair in the . I Don't!, Ace High and Boot Hill directed by Giuseppe Colizzi. The Barboni films are burlesque comedies that replace gunplay and blood with set piece brawls. They feature the quick but lazy Trinity (Hill) and his big, strong and irritable brother Bambino (Spencer). The stories make fun of U. S. Western- style diligent farmers and Spaghetti Western- style bounty hunters. There was a wave of Trinity- inspired films with quick and strong heroes, the former kind often called Trinity or perhaps coming from . Because the two model stories contained religious pacifists to account for the absence of gunplay, all the successors contained religious groups or at least priests, sometimes as one of the heroes. The Trinity- inspired films also adopted this style. It is significant that the most successful of the post- Trinity films featured Hill (Man of the East, A Genius, Two Partners and a Dupe), Spencer (It Can Be Done Amigo) and a pair of Hill/Spencer look- alikes in Carambola. Spaghetti Western old hand Franco Nero also worked in this subgenre with Cipolla Colt and Tomas Milian plays an outrageous ? In fact, Duck, You Sucker! His Spaghetti Western equivalent would be the Western . The Stranger (1. 99. Woman with No Name, with a motorcycle instead of a horse. Likewise, and in contrast to the contemporary German Westerns, few films feature Indians. When they appear they are more often portrayed as victims of discrimination than as dangerous foes. The only fairly successful Spaghetti Western with an Indian main character (played by Burt Reynolds in his only European Western outing) is Sergio Corbucci's Navajo Joe, where the Indian village is wiped out by bandits during the first minutes, and the avenger hero spends the rest of the film dealing mostly with Anglos and Mexicans until the final showdown at an Indian burial ground. Several Spaghetti Westerns are inspired by classical myths and dramas. Titles like Fedra West (also called Ballad of a Bounty Hunter) and Johnny Hamlet signify the connection to the Greek myth and possibly the plays by Euripides and Racine and the play by William Shakespeare, respectively. The latter also inspired Dust in the Sun, which follows its original more closely than Johnny Hamlet, where the hero survives. The Forgotten Pistolero is based on the vengeance of Orestes. What does spaghetti Western mean? Dictionary entry details . Proverbs of the week.
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